Chapter 41: The Mind and Body
Chapter 41: The Mind and Body
The light from the flashlight here has a different texture.
It's not that it's getting darker or brighter—it's that the light is no longer "illuminating" things.
When the light shines on the rock wall, the rock wall doesn't appear "illuminated"; instead, the light and the rock wall become one and the same.
Like water mixing with water.
Yao Chong turned off the flashlight.
The cave did not darken.
It didn't get any brighter—the concept of "light and dark" lost its meaning here.
From 100 meters to 150 meters, gravity changes.
The sensation underfoot is different now.
It's not the feeling of weightlessness and floating—it's the feeling of gravity becoming uniform.
Outside, the weight felt under your feet is greater than that above your head, and your body has long been accustomed to this slight difference.
Here, the differences disappear.
Gravity acted on him in equal amounts from all directions.
It felt like being submerged in a glass of extremely dense water.
It's not floating.
It was wrapped up.
After 150 meters, the timing was wrong.
This was the first change that made Yao Chong uneasy.
He walked for about ten minutes, then looked back at the cave entrance—the light was still there, and the distance didn't seem to have increased.
Logically, he should have already moved out of the flashlight's range, but the light from the hole was still clearly visible, like a painting pasted at the edge of his field of vision.
He stopped in his tracks.
I waited for thirty seconds.
The light at the entrance of the cave remained unchanged.
keep going.
We walked for another five minutes.
The light at the cave entrance remained unchanged.
It wasn't the cave entrance that was following him—it was the distance he had traveled that wasn't "recorded" here.
Time is passing, but space is not accumulating.
Like walking on a treadmill.
You did the work, but you didn't get anywhere.
Yao Chong squatted down and drew a line on the ground with his finger.
He stood up, took twenty steps forward, and looked back.
The scratch was right next to his feet.
The space is normal.
What's abnormal is his perception of space.
His body was moving normally, but his consciousness was being interfered with in judging "distance".
It was as if someone had veiled his sense of space.
He took a deep breath.
A physicist's first reaction to an unknown phenomenon is not fear—it's "interesting."
keep going.
Deep inside the cave, around a corner, Yao Chong discovered the carving marks.
On the rock wall.
Someone carved a set of things using a sharp tool.
It's not ancient writing—it's a formula.
Yao Chong leaned closer.
The flashlight is behaving strangely here, but at least it still works.
When light shines on it, a faint luster is reflected from the grooves of the engraving.
He recognized the handwriting as Chen Dunli's.
It's not because the characters look similar—it's because of the force and angle of the engraving.
Chen Dunli writes with force, always dragging the ends of the strokes downwards a little, as if he were nailing each character into the paper.
This habit extends from writing on the blackboard in class to drafting papers and... here.
Yao Chong's fingers slid along the engraving.
The depth of the groove can be felt with your fingertips—it's very deep.
Chen Dunli carved with great force.
But it wasn't an angry exertion; it was urgent, like a race against time.
The contents of the formula made him stop breathing.
A set of physical laws expressed in terms of their expressions.
The structure is similar to what he has learned—but the constants are different.
The fine structure constant is not 1/137.
The speed of light is not 299792458 m/s.
These constants are cleaner.
Like another key of the same piece of music.
He couldn't fully understand.
More time is needed, paper and pen are needed, and calculations are needed.
But he could appreciate the beauty of the formulas.
Physicists have an intuition for "beauty." Symmetry.
Simplicity.
Self-consistency.
This set of formulas is more beautiful than any physical law he has ever learned.
Below the engraving, there is a line of text.
It's not a formula.
It was handwritten.
"You're right, but I'm choosing another path."
Yao Chong's hand stopped on the engraving.
He understood.
Chen Dunli also visited this place.
He saw what Bodhi had shown him—the physical laws of the primordial universe.
He understood and acknowledged it.
"you are right."
But he chose a different path.
What road?
Yao Chong thought of Chen Dunli's last words.
On the tenth night.
The quantum core shimmered with the light of the system logs.
Chen Dunli's last words before he collapsed were: "The observer is also part of the system."
Bodhi said that the truth lies outside the system, and that's true.
But I don't need to go out.
I can find the truth within the system as well.
The observation itself is meaningful and does not need the endorsement of the original universe.
Yao Chong squatted in front of the engraving and remained silent for a long time.
He recalled how Chen Dunli explained the laws of physics in class.
It is not describing a law.
It's a dialogue with the laws.
When he talks about gravity, his hand draws a parabola in the air, as if he is stroking an invisible sphere.
When he talks about quantum mechanics, he will suddenly stop, stare at the wave function on the blackboard, and look at it as if it were a living thing.
Chen Dunli never considered physical laws to be "rules".
He felt that the laws of physics were a "language".
The universe speaks through it, and the task of physicists is to learn to listen.
Yao Chong stood up.
My fingers touched that line of text one last time.
Go deeper.
The intensity of the sensory world suddenly increases.
Light, sound, gravity, and time—all four dimensions change simultaneously.
It's not a gradual change, it's an overlay.
It looked like someone had turned on four knobs at the same time.
The light no longer has a direction.
Sound no longer has a medium.
Gravity no longer has a direction.
Time no longer matters.
Yao Chong's consciousness was gently supported by something.
It was not an intrusion.
It's an invitation.
Then he heard a voice.
It's not language.
It was his own heartbeat—but ten times slower.
Each beat was like a drumbeat.
Each knock felt like someone was knocking on the door.
He walked forward.
The "ground" beneath his feet became transparent, soft, and then disappeared the moment he touched it.
His hand reached out from the other side, grasping not air—but light.
The door opened.
He went inside.
Yao Chong "passed through" the last layer of rock wall in the cave.
It's not about breaking through—it's about passing through.
Like passing through a film of water.
The hand reaches out from the other side, grasping the light.
It's not a metaphor.
His fingers were closed, and his palms felt warm, textured, and heavy.
The light in his hand was like a piece of warm amber.
He let go.
The light didn't fall—it stayed where it was, suspended, and then slowly dispersed, merging into the surrounding air.
There was no air around.
To be precise, there was something around him that sustained his breathing and survival, but it wasn't air.
There is no ratio of nitrogen, oxygen, and carbon dioxide.
There is no temperature gradient.
There is no air pressure.
All that exists is—there.
Everything is just...
There is no "what is", only "is".
There is a tactile sensation underfoot.
But looking down—there was no ground.
His foot was on "something" that had a tangible feel but no physical appearance.
It's like stepping on a piece of transparent ice, but underneath the ice isn't water; it's even more transparent.
Space has no boundaries.
It's not that we "can't see the boundary"—it's that the concept of a boundary doesn't exist.
Yao Chong was standing in a place that was not a "place".
Light is everywhere.
There was no light source, but light was everywhere.
It's not about illuminating—light is the material of this space.
The air is light, the ground is light, and every breath he takes is light.
It's not glaring.
Mild.
Uniform.
Like being bathed in the morning light.
Light does not propagate, reflect, or refract here.
It is just there.
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